Inspired by Farid al-Din ‘Attar’s “The Conference of the Birds“, the film tells of a flock of birds traveling in the wake of Hoopoe, towards the Mountain of Kafh, the home of King Simourgh, from which they expect to receive answers to all their questions. Between dream and reality, the birds cross the 7 Valleys. Most of them get lost along the way, except for the 4 of them who will make experience of 4 human being’s life: Monika (Albania), Abdurrahman (Turkey), Jihad (Syria) and Susan (Israel). Characters very different from each other, in terms of age, gender, culture and religion, territory of origin and mythologies, geographical landscapes and historical and psychological backgrounds. However, for the cases of life, but on the basis of their own specific different orthodoxy, it happens that each of them lives simultaneously in two or more religions. Not only “next door”, in an attitude of tolerance, but “living more than one at the same time”. Animated cinema, by way of metaphor, makes it possible to give visibility both to their spiritual commonality, in their absolute cultural difference, and to the antiquity of the wisdom tradition in which this commonality is inscribed: the Religion of Love. In the end, the secret will be revealed only to 6 birds: to the Hoopoe who guides them (but it too must first learn something); to the 4 who have lived the experience of Love of the human characters, plus a sixth, the most unlikely of all. Speaking of “Religion of Love” today might sound “paradoxical”, literally “outside of common opinion”, a trait destined to remain unperceived and not-documentable without specific dramaturgical work. The game between reality and fiction, therefore, on the one hand enhances the perception of meanings as “non-random”, on the other it allows you to play with the viewer’s belief devices, summoned to take a position, to “see” beyond their habits of perception, beyond the prejudices of common sense.

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眼看《红毯先生》成为春节档的最大炮灰，用五张电影票尽绵薄之力，奈何电影意料之外的难看，这怎么可能会是宁浩的电影，还是刘德华亲自监制，不聚焦，无跌宕，缺幽默，成片属于四不像电影，心疼我那两个钟头的光阴，加上今年的贺岁三强确实质量过硬，活该它在春节档里垫底！电影的宣传定位是优雅喜剧，可惜主创不是误解优雅的概念就是没理解喜剧的内涵，想做一部讽刺喜剧，那就得甩开包袱放心大胆地制造惊喜，可耗费最大的耐心最后却一无所获，失望至极！至此结束今年贺岁档的观影之旅，陪大宝把

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该剧是一部改编自网络小说的电视剧，该剧改编得十分出色，成功地将小说中的情节和人物搬上银幕。该剧的导演和演员都表现出色，令人信服。

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该剧是一部非常感人的电影，通过讲述林楚楚（春夏饰）等待初恋男友年的故事，展现了爱情中的美好与痛苦。这部影片通过对楚楚与两个男子的情感纠葛，让观众对爱情有了更深的思考。

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给分。玄幻的情节与以下评论无关。我个人认为的瑕疵，是他们登雪山到下妖塔的那段时间的戏份：昆仑山平均海拔-，他们去的是中心地带，常年的气温更是低到能够形成万年冰川，但剧里，不仅除了明叔谁都不需要氧气，每个人的装备我除了只能说一句抗寒能力很强，也不好再说什么。因为，有可能是考虑到，受限于当时的环境和时代背景，种类没有现在这么齐全和丰富，所以看上去那么——“单薄”。读小说的时候是一回事，但当影视具像化了，会放大一些问题，我个人认为，没真上昆仑实景拍摄不是大问题